Essential Writings of Tome Loulin

Along Walking


“Photography itself is like a partially immortalized and visualized bit of time, which as a collective concept is itself hardly an accurate conceptualization; and if taken in the light of personal significance, it’s also an concept invented for the societal convenience as a whole in the use of reinforcing a socio-historical consciousness to us.”

-By Tome Loulin, “Myself These Years in Retrospect, A Notetaking, 2020.

Where Winter Does Not Hold

Writing As Remembering

It is with the help of written language that our thoughts and ideas could be more widely disseminated, known, understood, critically examined or misinterpreted in the public so we won’t easily surrender our past to time.

Radical Authenticity: Looking at Abdellatif Kechiche’s Films

阅读中文版 by Tome Loulin I’m made and remade continually. Virginia Woolf Filming is creating ways for us to see something different, familiar, unseen, seen, exotic, and alien in a new sense maybe because for most of us, seeing only one side of something is not enough and film provides us with the opportunity of seeing the world differently. Now, it’s almost ubiquitous to speak of film metaphorically as one of several popular metaphors regarding film goes that every person is … Continue reading “Radical Authenticity: Looking at Abdellatif Kechiche’s Films”

On Self-emancipation

There is something deeper inside of us that is calling, urging us to escape something else; yet, hardly could we find out where and what it is. Something, it’s always the notion of something that is most hard to be named precisely or defined properly, so is our notion of self-liberation, which is hardly an unattractive concept–different people interpret it differently–and has thus gained a lot of philosophical and literary attention seriously. Virginia Woolf wrote in her book, A Room … Continue reading “On Self-emancipation”

回顾

我问是否可以连他的音箱,他点头,表同意。那时已是晚夏,湖边的微风拂过,归去时我走在后面些,旁边有自动售水机,走进才发现灯光下都是昆虫,好在水不受影响。

Myself These Years in Retrospect, A Notetaking

It seemed like a remindful aphorism to me that though years could have passed unnoticed, some memories were still as vivid as ever when being reminisced about thanks to the photographs taken before. Photography itself is like a partially immortalized and visualized bit of time, which as a collective concept is itself hardly an accurate conceptualization; and if taken in the light of personal significance, it’s also an concept invented for the societal convenience as whole in the use of … Continue reading “Myself These Years in Retrospect, A Notetaking”

秋日的夜

想起陶渊明的田园诗歌,不知,夜深的山林间,是否也是这样,冷淡间的独特感受呢?也许是幽静中带些深沉的想象,古代诗人的避世情节倒是比较容易满足。

In A Misty Late Autumn Night

by Tome Loulin It is dark in the night that I walk and walk after having my hair cut. “Because of the stressful lifestyles I was living, I am worried about this.” I murmured worryingly, gazing in the mirror reflecting my curved brows in the dim-lit room. “Don’t over worry about that.” The hairstylist beside me had consoled me saying. While lying on the hair-washing bed, feeling the warmth both of the water and of his hands touching my hair, … Continue reading “In A Misty Late Autumn Night”

Looking from the Runway

“Pleasantly and well-suited I walk,Whither I walk I cannot define, but I know it is good,The whole universe indicates that it is good,The past and the present indicate that it is good.”—Walt Whitman, To Think of Time With air-conditioning on though the temperature that night was not high, yet, I slept, feeling that would be the best way to remember a passing season. It’s about going to autumn though the leaves of Gingko trees on the sidewalks were not turning. … Continue reading “Looking from the Runway”

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